Hip hop

An hip hop usa nga gios kultura nga naguswag ha Syudad han New York han uruunhan han mga 1970 labi na ha mga Aprikano-Amerikano ngan Latino Amerikano.

Mga reperensya

Pinanbasaran

Bibliograpiya

• Ahearn, Charlie; Fricke, Jim, eds. (2002). Yes Yes Y'All: The Experience Music Project Oral History of Hip Hop's First Decade. New York City, New York: Da Capo Press. ISBN 0-306-81184-7. https://archive.org/details/yesyesyallexperi0000fric. 
• Campbell, Clive; Chang, Jeff (2005). Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York City, New York: Picador. ISBN 0-312-42579-1. 
• Chang, Jeff (November–December 2007). "It's a Hip-hop World". Foreign Policy (163): 58–65. Ginhipos tikang han orihinal han 2007-11-02. Ginkuhà 2015-01-29.
• Corvino, Daniel; Livernoche, Shawn (2000). A Brief History of Rhyme and Bass: Growing Up With Hip Hop. Tinicum, Pennsylvania: Xlibris Corporation. ISBN 1-4010-2851-9. 
• Diawara, Manthia (1998). In Search of Africa. Cambridge, Massachusetts: Harvard University Press. ISBN 0-674-44611-9. https://archive.org/details/insearchofafrica00diaw. 
• Gordon, Lewis R. (October–December 2005). "The Problem of Maturity in Hip Hop". Review of Education, Pedagogy and Cultural Studies. 27 (4): 367–389. doi:10.1080/10714410500339020.
• Hager, Steven (1984). Hip Hop: The Illustrated History of Breaking Dancing, Rap Music and Graffiti. New York City, New York: St. Martin's Press. ISBN 0312373171. https://archive.org/details/hiphopillustrate00hage. 
• Kelly, Robin D. G. (1994). Race Rebels: Culture, Politics, and the Black Working Class. New York City, New York: Free Press. ISBN 0-684-82639-9. 
• Kitwana, Bakari (2002). The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture. New York City, New York: Perseus Books Group. ISBN 0-465-02979-5. 
• Kitwana, Bakari (2005). Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes and the New Reality of Race in America. New York City, New York: Basic Civitas Books. ISBN 0-465-03746-1. https://archive.org/details/whywhitekidslove00kitw_0. 
• Kolbowski, Silvia (Winter 1998). "Homeboy Cosmopolitan". October (83): 51.
• Light, Alan, ed. (1999). The VIBE History of Hip-Hop (1st ed.). New York City, New York: Three Rivers Press. ISBN 0-609-80503-7. https://archive.org/details/vibehistoryofhip00ligh. 
• McLeod, Kembrew (Autumn 1999). "Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation" (PDF). Journal of Communication. 49 (4): 134–150. doi:10.1111/j.1460-2466.1999.tb02821.x. Ginhipos tikang han orihinal (PDF 1448.9 KB) han 2009-03-18. Ginkuhà 2015-01-29.
• Nelson, George (2005). Hip-Hop America (2nd ed.). St. Louis, Missouri: Penguin Books. ISBN 0-14-028022-7. 
• Ogbar, Jeffrey O. G. (2007). Hip-Hop Revolution: The Culture and Politics of Rap. Lawrence, Kansas: University Press of Kansas. ISBN 978-0-7006-1547-6. https://archive.org/details/hiphoprevolution0000ogba. 
• Perkins, William E. (1995). Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia, Pennsylvania: Temple University Press. ISBN 1-56639-362-0. 
• Ro, Ronin (2001). Bad Boy: The Influence of Sean "Puffy" Combs on the Music Industry. New York City, New York: Pocket Books. ISBN 0-7434-2823-4. https://archive.org/details/badboyinfluenceo0000roro. 
• Rose, Tricia (1994). Black Noise: Rap Music and Black Culture in Contemporary America. Middletown, Connecticut: Wesleyan University Press. ISBN 0-8195-6275-0. 
• Shapiro, Peter (2007). Rough Guide to Hip Hop (2nd ed.). London, UK: Rough Guides. ISBN 1-84353-263-8. 
• Steingo, Gavin (July 2005). "South African Music after Apartheid: Kwaito, the "Party Politic," and the Appropriation of Gold as a Sign of Success". Popular Music and Society. 28 (3): 333–357. doi:10.1080/03007760500105172.
• Toop, David (1991). Rap Attack 2: African Rap to Global Hip Hop (2nd ed.). New York City, New York: Serpent's Tail. ISBN 1-85242-243-2. 

Mga sumpay ha gawas

• Hip hop ngada ha Open Directory Project