Hip hop

An hip hop usa nga gios kultura nga naguswag ha Syudad han New York han uruunhan han mga 1970 labi na ha mga Aprikano-Amerikano ngan Latino Amerikano.

Mga reperensya[igliwat | Igliwat an wikitext]

Pinanbasaran

Bibliograpiya

Ahearn, Charlie; Fricke, Jim, eds. (2002). Yes Yes Y'All: The Experience Music Project Oral History of Hip Hop's First Decade. New York City, New York: Da Capo Press. ISBN 0-306-81184-7.
Campbell, Clive; Chang, Jeff (2005). Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York City, New York: Picador. ISBN 0-312-42579-1.
Chang, Jeff (November–December 2007). "It's a Hip-hop World". Foreign Policy (163): 58–65. Ginhipos tikang han orihinal han 2007-11-02. Ginkuhà 2015-01-29.
Corvino, Daniel; Livernoche, Shawn (2000). A Brief History of Rhyme and Bass: Growing Up With Hip Hop. Tinicum, Pennsylvania: Xlibris Corporation. ISBN 1-4010-2851-9.
Diawara, Manthia (1998). In Search of Africa. Cambridge, Massachusetts: Harvard University Press. ISBN 0-674-44611-9.
Gordon, Lewis R. (October–December 2005). "The Problem of Maturity in Hip Hop". Review of Education, Pedagogy and Cultural Studies. 27 (4): 367–389. doi:10.1080/10714410500339020.
Hager, Steven (1984). Hip Hop: The Illustrated History of Breaking Dancing, Rap Music and Graffiti. New York City, New York: St. Martin's Press. ISBN 0312373171.
Kelly, Robin D. G. (1994). Race Rebels: Culture, Politics, and the Black Working Class. New York City, New York: Free Press. ISBN 0-684-82639-9.
Kitwana, Bakari (2002). The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture. New York City, New York: Perseus Books Group. ISBN 0-465-02979-5.
Kitwana, Bakari (2005). Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes and the New Reality of Race in America. New York City, New York: Basic Civitas Books. ISBN 0-465-03746-1.
Kolbowski, Silvia (Winter 1998). "Homeboy Cosmopolitan". October (83): 51.
Light, Alan, ed. (1999). The VIBE History of Hip-Hop (1st ed.). New York City, New York: Three Rivers Press. ISBN 0-609-80503-7.
McLeod, Kembrew (Autumn 1999). "Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation" (PDF). Journal of Communication. 49 (4): 134–150. doi:10.1111/j.1460-2466.1999.tb02821.x. Ginhipos tikang han orihinal (PDF 1448.9 KB) han 2009-03-18. Ginkuhà 2015-01-29.
Nelson, George (2005). Hip-Hop America (2nd ed.). St. Louis, Missouri: Penguin Books. ISBN 0-14-028022-7.
Ogbar, Jeffrey O. G. (2007). Hip-Hop Revolution: The Culture and Politics of Rap. Lawrence, Kansas: University Press of Kansas. ISBN 978-0-7006-1547-6.
Perkins, William E. (1995). Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia, Pennsylvania: Temple University Press. ISBN 1-56639-362-0.
Ro, Ronin (2001). Bad Boy: The Influence of Sean "Puffy" Combs on the Music Industry. New York City, New York: Pocket Books. ISBN 0-7434-2823-4.
Rose, Tricia (1994). Black Noise: Rap Music and Black Culture in Contemporary America. Middletown, Connecticut: Wesleyan University Press. ISBN 0-8195-6275-0.
Shapiro, Peter (2007). Rough Guide to Hip Hop (2nd ed.). London, UK: Rough Guides. ISBN 1-84353-263-8.
Steingo, Gavin (July 2005). "South African Music after Apartheid: Kwaito, the "Party Politic," and the Appropriation of Gold as a Sign of Success". Popular Music and Society. 28 (3): 333–357. doi:10.1080/03007760500105172.
Toop, David (1991). Rap Attack 2: African Rap to Global Hip Hop (2nd ed.). New York City, New York: Serpent's Tail. ISBN 1-85242-243-2.