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Giambattista Pittoni: The Sacrifice of Polyxena at the Tomb of Achilles  wikidata:Q18748552 reasonator:Q18748552
Artist
Giambattista Pittoni  (1687–1767)  wikidata:Q982011 q:it:Giovanni Battista Pittoni
 
Giambattista Pittoni
Alternative names
Giovanni Battista Pittoni the Younger, Giambattista Pittoni
Description Italian painter, professor, drawer ngan art advisor
late Baroko
era QS:P2348,Q37853
or Rococo
era QS:P2348,Q122960
Date of birth/death 6 Hunyo 1687 Edit this at Wikidata 6 Nobyembre 1767 Edit this at Wikidata
Location of birth/death Venesya Venesya
Work location
Authority file
artist QS:P170,Q982011
image of artwork listed in title parameter on this page
Title
The Sacrifice of Polyxena at the Tomb of Achilles
Part of The Sacrifice of Polyxena Edit this at Wikidata
Object type painting Edit this at Wikidata
Genre mythological painting Edit this at Wikidata
Tigtulidong
English: The tragic moment depicted is from the end of the Trojan War. According to legend, the ghost of the Greek hero Achilles demanded that the Trojan princess Polyxena be sacrificed at his tomb. Achilles's son, with the feathered helmet, is leading the sacrifice. According to the Roman poet Ovid, Polyxena "kept her look of dauntless courage until the end." In visualizing this passage, the painter has depicted the young woman with a sorrowful yet dignified expression that conveys her bravery in the face of death. The ballet-like elegance of the figures is characteristic of 18th-century Venetian history painting, as is the delight in exotic elements, such as the costumes and ritual objects of the pagan priests.
Petsa circa 1735
date QS:P571,+1735-00-00T00:00:00Z/9,P1480,Q5727902
([[Category:Unsupported period|Baroko
era QS:P2348,Q37853
]]Baroko
era QS:P2348,Q37853
)
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions Painted surface Tipahitaas: 70 cm; width: 51.8 cm
dimensions QS:P2048,70U174728
dimensions QS:P2049,51.8U174728
institution QS:P195,Q210081
Accession number
37.512
Place of creation Venesya, Italya
Object history
  • Glaenzer and Co., New York [date and mode of acquisition unknown]
  • Henry Walters, Baltimore, 1907 (?) [mode of acquisition unknown]
  • Walters Art Mueseum, 1931, by bequest
Exhibition history The Greek Tradition in Painting and the Minor Arts. Baltimore Museum of Art, Baltimore. 1939. Tiepolo Unveiled: The Restoration of a Masterpiece. The Walters Art Gallery, Baltimore. 1996.
Credit line Acquired by Henry Walters, 1907 (?)
Inscriptions [Transcription] On stretcher: E G/118/;0 939/ Paris 118; [Transcription] On stretcher in red: E. G. 213.2; [Seal] Red wax seal on reverse of canvas with coat of arms and inscription in Polish (?)
References Federico Zeri (1976) (English) Italian paintings in the Walters Art Gallery, Baltimore: Walters Art Gallery, no. 450 , pp. 561−562 OCLC: 2463997.
Ginkuhaan Walters Art Museum: Home page  Info about artwork
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attribution share alike
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Attribution: Walters Art Museum
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