An pagkakaiba han mga rebisyon han "Sergei Eisenstein"

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*Sergei Eisenstein Correspondence with Theodore Dreiser, 1931-1941 (9 letters) is housed at the Rare Book and Manuscript Library at the [[University of Pennsylvania]].
*Sergei Eisenstein Correspondence with Theodore Dreiser, 1931-1941 (9 letters) is housed at the Rare Book and Manuscript Library at the [[University of Pennsylvania]].


== Mga sumpay ha gawas ==
==Mga sumpay ha gawas==
*{{IMDb name|id=0001178|name=Sergei Eisenstein}}
*{{IMDb name|id=0001178|name=Sergei Eisenstein}}
*[http://revolutionarydemocracy.org/rdv3n2/ivant.htm Discussion with Stalin regarding ''Ivan the Terrible'']
*[http://revolutionarydemocracy.org/rdv3n2/ivant.htm Discussion with Stalin regarding ''Ivan the Terrible'']
*[http://video.google.com/videosearch?q=eisenstein ''Eisenstein on Google video'']
*[http://video.google.com/videosearch?q=eisenstein ''Eisenstein on Google video'']
*[http://www.nytimes.com/learning/general/onthisday/bday/0123.html Sergei Eisenstein Is Dead In Moscow]; [[New York Times]]
*[http://www.nytimes.com/learning/general/onthisday/bday/0123.html Sergei Eisenstein Is Dead In Moscow]; [[New York Times]]
*{{Find a Grave|8989895}}
*{{YouTube|id=Ix99XJbJWAY|title="Glumov's Diary" - 1923 - Sergei Eisenstein's first film}}
* [http://hwj.oxfordjournals.org/content/78/1/157.full Sergei Eisenstein and the Haitian Revolution] by Charles Forsdick and Christian Hogsbjerg, [[History Workshop Journal]], 78 (2014).


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Pagbabag-o han 09:48, 1 Pebrero 2015

Sergei Eisenstein
Natawo Sergei Mikhailovich Eizenshtein
23 January 1898
Riga, Governorate of Livonia, Russian Empire
Namatay 11 Pebrero 1948 (edad 50)
Moscow, Soviet Union
Mga tuig nga aktibo 1923–1946
Naimpluwensiyahan ni/han D. W. Griffith, Esfir Shub, Lev Kuleshov[1]
Nakaimpluwensiya kan/han Vsevolod Pudovkin, Alfred Hitchcock, Ivor Montagu, Stanley Kubrick, Teinosuke Kinugasa
(Mga) asawa Pera Atasheva (1934-1948)
Mga pahidungog Stalin prizes (1941, 1946)

Hi Sergei Mikhailovich Eisenstein (Enero 23, 1898 – Pebrero 11, 1948) usa nga Rebolusyonaryo nga Sobyet Ruso nga direktor han mga salida. Ginkikilala hiya ha iya mga buhat nga waray kurukatingog nga mga salida.

Pinanbasaran

  1. Goodwin 1993, p. 34

Mga reperensya

  • Bergan, Ronald (1999), Sergei Eisenstein: A Life in Conflict, Boston, Massachusetts: Overlook Hardcover, ISBN
  • Bordwell, David (1993), The Cinema of Eisenstein, Cambridge, Massachusetts: Harvard University Press, ISBN
  • Geduld, Harry M.; Gottesman, Ronald, eds. (1970), Sergei Eisenstein and Upton Sinclair: The Making & Unmaking of Que Viva Mexico!, Bloomington, Indiana: Indiana University Press, ISBN
  • Goodwin, James (1993), Eisenstein, Cinema, and History, Urbana: University of Illinois Press, ISBN
  • Leyda, Jay (1960), Kino: A History of the Russian And Soviet Film, New York: Macmillan, OCLC 1683826
  • Leyda, Jay (1986), Eisenstein on Disney, London: Methuen, ISBN
  • Leyda, Jay; Voynow, Zina (1982), Eisenstein At Work, New York: Pantheon, ISBN
  • Montagu, Ivor (1968), With Eisenstein in Hollywood, Berlin: Seven Seas Books, OCLC 8713
  • Neuberger, Joan (2003), Ivan the Terrible: The Film Companion, London; New York: I.B. Tauris, ISBN
  • Nizhniĭ, Vladimir (1962), Lessons with Eisenstein, New York: Hill and Wang, OCLC 6406521
  • Seton, Marie (1952), Sergei M. Eisenstein: A Biography, New York: A.A. Wyn, OCLC 2935257
  • Howes, Keith (2002), "Eisenstein, Sergei (Mikhailovich)", ha Aldrich, Robert; Wotherspoon, Garry (eds.), Who's Who in Gay and Lesbian History from Antiquity to World War II, Routledge; London, ISBN
  • Stern, Keith (2009), "Eisenstein, Sergei", Queers in History, BenBella Books, Inc.; Dallas, Texas, ISBN
  • Antonio Somaini, Ejzenstejn. Il cinema, le arti, il montaggio (Eisenstein. Cinema, the Arts, Montage), Einaudi, Torino 2011

Mga dokumentaryo

  • The Secret Life of Sergei Eisenstein (1987) by Gian Carlo Bertelli

Mga biograpiya nga ginhimo hin pelikula

  • Eisenstein (film) (2000) by Renny Bartlett, "a series of loosely connected (and unevenly acted) theatrical sketches whose central theme is the director's shifting relationship with the Soviet government" focusing on "Eisenstein the political animal, gay man, Jewish target and artistic rebel".

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