Alfred Hitchcock

Tikang ha Wikipedia
Sir Alfred Hitchcock
Studio publicity photo
Natawo Alfred Joseph Hitchcock
13 Agosto 1899(1899-08-13)
Leytonstone, London, England
Namatay 29 Abril 1980 (edad 80)
Bel Air, California, United States
Mga lain nga ngaran Hitch
The Master of Suspense
Alma mater Salesian College,
St Ignatius' College
Trabaho Film director, film producer
Mga tuig nga aktibo 1921–76
Naimpluwensiyahan ni/han D.W. Griffith, Fritz Lang, Carl Theodor Dreyer, Sergei Eisenstein,[1] F.W. Murnau[2]
Nakaimpluwensiya kan/han Brian De Palma, François Truffaut, Steven Spielberg, Martin Scorsese, Claude Chabrol, M. Night Shyamalan, Michael Mann, David Lynch, Stanley Kubrick, Park Chan-wook, Dario Argento, John Carpenter, William Friedkin, Jonathan Demme, Tim Burton, Mel Brooks, David Fincher
Relihiyon Roman Catholic[3]
(Mga) asawa Alma Reville (m. 1926-1980, his death)
Mga anak Patricia Hitchcock
Mga kag-anak William Hitchcock (father)
Emma Jane Whelan (mother)

Hi Alfred Joseph Hitchcock (13 Agosto 1899 – 29 Abril 1980) usa nga Briton nga tighimo hin salida nga nagpatikang han durudilain nga pamaagi ha mga pampakulba ngan makaharadlok nga mga salida.

Mga kasarigan[igliwat | Igliwat an wikitext]

  1. Irving Singer, Three Philosophical Filmmakers: Hitchcock, Welles, Renoir, MIT Press, 2004, p. 9.
  2. Patrick McGilligan, "Alfred Hitchcock: A Life in Darkness and Light", Regan Books, 2003
  3. Hamilton, Fiona. The Times. London Missing or empty |title= (help)

Bibliograpiya[igliwat | Igliwat an wikitext]

  • Leitch, Thomas: The Encyclopedia of Alfred Hitchcock (ISBN 978-0-8160-4387-3). Checkmark Books, 2002. A single-volume encyclopaedia of all things about Alfred Hitchcock.
  • McGilligan, Patrick: Alfred Hitchcock: A Life in Darkness and Light. Regan Books, 2003. A comprehensive biography of the director.

Dugang nga barasahon[igliwat | Igliwat an wikitext]

  • Auiler, Dan: Hitchcock's notebooks: an authorised and illustrated look inside the creative mind of Alfred Hitchcock. New York, Avon Books, 1999. Much useful background to the films.
  • Barr, Charles: English Hitchcock. Cameron & Hollis, 1999. On the early films of the director.
  • Conrad, Peter: The Hitchcock Murders. Faber and Faber, 2000. A highly personal and idiosyncratic discussion of Hitchcock's oeuvre.
  • DeRosa, Steven: Writing with Hitchcock. Faber and Faber, 2001. An examination of the collaboration between Hitchcock and screenwriter John Michael Hayes, his most frequent writing collaborator in Hollywood. Their films include Rear Window and The Man Who Knew Too Much.
  • Deutelbaum, Marshall; Poague, Leland (ed.): A Hitchcock Reader. Iowa State University Press, 1986. A wide-ranging collection of scholarly essays on Hitchcock.
  • Durgnat, Raymond: The strange case of Alfred Hitchcock Cambridge, Massachusetts: MIT Press, 1974 OCLC 1233570
  • Durgnat, Raymond; James, Nick; Gross, Larry: Hitchcock British Film Institute, 1999 OCLC 42209162
  • Durgnat, Raymond: A long hard look at Psycho London: British Film Institute Pub., 2002 OCLC 48883020
  • Giblin, Gary: Alfred Hitchcock's London. Midnight Marquee Press, 2006, (Paperback: ISBN 978-1-887664-67-7)
  • Gottlieb, Sidney: Hitchcock on Hitchcock. Faber and Faber, 1995. Articles, lectures, etc. by Hitchcock himself. Basic reading on the director and his films.
  • Gottlieb, Sidney: Alfred Hitchcock: Interviews. University Press of Mississippi, 2003. A collection of Hitchcock interviews.
  • Grams, Martin, Jr. & Wikstrom, Patrik: The Alfred Hitchcock Presents Companion. OTR Pub, 2001, (Paperback: ISBN 978-0-9703310-1-4)
  • Haeffner, Nicholas: Alfred Hitchcock. Longman, 2005. An undergraduate-level text.
  • Hitchcock, Patricia; Bouzereau, Laurent: Alma Hitchcock: The Woman Behind the Man. Berkley, 2003.
  • Krohn, Bill: Hitchcock at Work. Phaidon, 2000. Translated from the award-winning French edition. The nitty-gritty of Hitchcock's filmmaking from scripting to post-production.
  • Leff, Leonard J.: Hitchcock and Selznick. Weidenfeld & Nicolson, 1987. An in-depth examination of the rich collaboration between Hitchcock and David O Selznick.
  • McDevitt, Jim; San Juan, Eric: A Year of Hitchcock: 52 Weeks with the Master of Suspense. Scarecrow Press, 2009, (ISBN 978-0-8108-6388-0). A comprehensive film-by-film examination of Hitchcock's artistic development from 1927 through 1976.
  • Modleski, Tania: The Women Who Knew Too Much: Hitchcock And Feminist Theory. Routledge, 2005 (2nd edition). A collection of critical essays on Hitchcock and his films; argues that Hitchcock's portrayal of women was ambivalent, rather than simply misogynist or sympathetic (as widely thought).
  • Mogg, Ken. The Alfred Hitchcock Story. Titan, 2008 (revised edition). Note: the original 1999 UK edition, from Titan, and the 2008 re-issue world-wide, also from Titan, have significantly more text than the 1999 abridged US edition from Taylor Publishing. New material on all the films.
  • Moral, Tony Lee: Hitchcock and the Making of Marnie. Scarecrow Press, 2005 (2nd edition). Well researched making of Hitchcock's "Marnie".
  • Paglia, Camille. The Birds. British Film Institute, January 2008 ISBN 978-0-85170-651-1
  • Rebello, Stephen: Alfred Hitchcock and the Making of Psycho. St. Martin's, 1990. Intimately researched and detailed history of the making of Psycho,.
  • Rohmer, Eric; Chabrol, Claude. Hitchcock, the first forty-four films (ISBN 978-0-8044-2743-2). F. Ungar, 1979. First book-long study of Hitchock art and probably still the best one.
  • Rothman, William. The Murderous Gaze. Harvard Press, 1980. Auteur study that looks at several Hitchcock films intimately.
  • Spoto, Donald: The Art of Alfred Hitchcock. Anchor Books, 1992. The first detailed critical survey of Hitchcock's work by an American.
  • Spoto, Donald: The Dark Side of Genius. Ballantine Books, 1983. A biography of Hitchcock, featuring a controversial exploration of Hitchcock's psychology.
  • Taylor, Alan: Jacobean Visions: Webster, Hitchcock and the Google Culture, Peter Lang, 2007.
  • Truffaut, François: Hitchcock. Simon and Schuster, 1985. A series of interviews of Hitchcock by the influential French director.
  • Vest, James: Hitchcock and France: The Forging of an Auteur. Praeger Publishers, 2003. A study of Hitchcock's interest in French culture and the manner by which French critics, such as Truffaut, came to regard him in such high esteem.
  • Weibel, Adrian: Spannung bei Hitchcock. Zur Funktionsweise der auktorialen Suspense. (ISBN 978-3-8260-3681-1) Würzburg: Königshausen & Neumann, 2008
  • Wikstrom, Patrik & Grams, Martin, Jr.: The Alfred Hitchcock Presents Companion. OTR Pub, 2001, (Paperback: ISBN 978-0-9703310-1-4)
  • Wood, Robin: Hitchcock's Films Revisited. Columbia University Press, 2002 (2nd edition). A much-cited collection of critical essays, now supplemented and annotated in this second edition with additional insights and changes that time and personal experience have brought to the author (including his own coming-out as a gay man).
  • Youngkin, Stephen D. (2005). The Lost One: A Life of Peter Lorre. University Press of Kentucky. ISBN 978-0-8131-2360-8.  Contains interviews with Alfred Hitchcock and a discussion of the making of The Man Who Knew Too Much (1934) and Secret Agent (1936), which co-starred classic film actor Peter Lorre.

Mga sumpay ha gawas[igliwat | Igliwat an wikitext]