Musika elektronika

Telharmonium, Thaddeus Cahill 1897

Trautonium, 1928

An Musika elektronika amo an musika nga nagamit hin mga dekuryente nga gamit musika ngan dekuryente nga teknolohiya musika ha iya paghimo.

Mga reperensya

• Aitken, Stuart (10 Mayo 2011), "Charanjit Singh on How He Invented Acid House … by Mistake", The Guardian, London (10 May)
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• Anonymous (n.d.(2)), "Synthpop", Allmusic, ginhipos tikang han orihinal han 2012-05-04, ginkuhà 2015-01-29 . (archive on 10 Marso 2011)
• Anonymous (1972), Liner notes to The Varese Album, Columbia Records, MG 31078
• Anonymous (1979), "Artists and Producers Strive for Inroads Overseas", Billboard (26 May): J–14, J–31
• Anonymous (2001), "Theremin", BBC h2g2 encyclopaedia project (2 April), ginkuhà 20 Mayo 2008. Guide ID: A520831 (Edited).
• Anonymous (2006), "1935 AEG Magnetophon Tape Recorder", Mix: Professional Audio and Music Production (mixonline.com), ginhipos tikang han orihinal han 8 Pebrero 2013, ginkuhà 5 Hunyo 2011
• Anonymous (2009), "23rd Annual International Dance Music Awards Nominees & Winners", Winter Music Conference, ginhipos tikang han orihinal han 18 Pebrero 2009, ginkuhà 29 Enero 2015
• Bassingthwaighte, Sarah Louise (2002), "Electroacoustic Music for the Flute", DMA dissertation, Seattle: University of Washington, ginkuhà 29 Disyembre 2011
• Bayly, Richard (1982–83), "Ussachevsky on Varèse: An Interview April 24, 1979 at Goucher College", Perspectives of New Music, 21 (no. 1 (Fall–Winter 1982) and no. 2 (Spring–Summer 1983)): 145–51, doi:10.2307/832872
• Begault, Durand R (1994), 3-D Sound for Virtual Reality and Multimedia, Boston: Academic Press, 1994, ISBN. (Online reprint Ginhipos 10 Agosto 2012 han Wayback Machine, NASA Ames Research Center Technical Memorandum facsimile 2000.
• Blashill, Pat (2004), "Six Machines That Changed The Music World", Wired, 10 (5):.
• Brick, Howard (2000), Age of Contradiction: American Thought and Culture in the 1960s, Ithaca: Cornell University Press., ISBN (Originally published: New York: Twayne, 1998)
• Bush, John (n.d.(a)), "Tomita: Biography", Billboard.com website, ginhipos tikang han orihinal han 14 Nobyembre 2011, ginkuhà 5 Hunyo 2011
• Bush, John (n.d.(b)), "Snowflakes Are Dancing: Electronic Performances of Debussy's Tone Paintings, Isao Tomita", Allmusic.com
• Bush, John (2009), "Song Review: 'Blue Monday'", Allmusic website
• Busoni, Ferruccio (1962), Sketch of a New Esthetic of Music, translated by Dr. Th. Baker and originally published in 1911 by G. Schirmer. Reprinted in Three Classics in the Aesthetic of Music: Monsieur Croche the Dilettante Hater, by Claude Debussy; Sketch of a New Esthetic of Music, by Ferruccio Busoni; Essays before a Sonata, by Charles E. Ives, New York: Dover Publications, Inc., pp. 73–102
• Bussy, Pascal (2004), Kraftwerk: Man, Machine and Music (3rd ed.), London: SAF, ISBN
• Chadabe, Joel (1997), Electric Sound: The Past and Promise of Electronic Music, Upper Saddle River, New Jersey: Prentice Hall
• Chadabe, Joel (2004), "Electronic Music and Life", Organised Sound, 9 (1): 3–6, doi:10.1017/s1355771804000020
• Chowning, John (1973), "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation", Journal of the Audio Engineering Society, 21 (7): 526–34.
• Collins, Nick (2003), "Generative Music and Laptop Performance", Contemporary Music Review, 22 (4): 67–79, doi:10.1080/0749446032000156919.
• Crab, Simon (2005), "The Hammond Novachord (1939)", 120 Years of Electronic Music website, ginhipos tikang han orihinal han 22 Hulyo 2011, ginkuhà 5 Hunyo 2011
• Donhauser, Peter (2007), Elektrische Klangmaschinen, Vienna: Boehlau.
• Doornbusch, Paul (2005), The Music of CSIRAC, Australia's First Computer Music, with accompanying CD recording, Australia: Common Ground Publishers, ISBN.
• Eimert, Herbert (1958), "What Is Electronic Music?", Die Reihe, 1 (English edition): 1–10.
• Eimert, Herbert (1972), "How Electronic Music Began", Musical Times, 113 (1550 (April)): 347–349, doi:10.2307/954658. (First published in German in Melos 39 (January–February 1972): 42–44.)
• Emmerson, Simon (1986), The Language of Electroacoustic Music, London: Macmillan.
• Emmerson, Simon, ed. (2000), Music, Electronic Media, and Culture, Aldershot (Hants.), Burlington (VT): Ashgate, ISBN
• Emmerson, Simon (2007), Living Electronic Music, Aldershot (Hants.), Burlington (VT): Ashgate, ISBN, (cloth) (pbk)
• Engel, Friedrich Karl (2006), "Walter Weber's Technical Innovation at the Reichs-Rundfunk-Gesellschaft" (PDF), Richardhess.com, ginkuhà 18 Hunyo 2010
• Engel, Friedrich Karl; and Peter Hammar (2006), "A Selected History of Magnetic Recording" (PDF), further editing by Richard L. Hess, Richardhess.com, ginkuhà 18 Hunyo 2010
• Frankenstein, Alfred (1964), "Space-Sound Continuum in Total Darkness", San Francisco Chronicle (October 17) (Excerpt exist on History of Experimental Music in Northern California Ginhipos 22 Hunyo 2017 han Wayback Machine)
• Fujii, Koichi (2004), "Chronology of Early Electroacoustic Music in Japan: What Types of Source Materials Are Available?", Organised Sound, 9: 63–77, doi:10.1017/S1355771804000093
• Gard, Stephen (2004), Nasty Noises: 'Error' as a Compositional Element, Sydney Conservatorium of Music, Sydney eScholarship Repository
• Glinsky, Albert (2000), Theremin: Ether Music and Espionage, Music in American Life, foreword by Robert Moog., Urbana and Chicago: University of Illinois Press, ISBN
• Gluck, Robert J (2005), "Fifty Years of Electronic Music in Israel", Organised Sound, 10 (2): 163–80, doi:10.1017/S1355771805000798.
• Griffiths, Paul (1995), Modern Music and After: Directions Since 1945, Oxford and New York: Oxford University Press, ISBN, (cloth) (pbk)
• Hammar, Peter (1999), "John T. Mullin: The Man Who Put Bing Crosby on Tape", Mix Online (1 October), ginhipos tikang han orihinal han 31 Enero 2010, ginkuhà 13 Enero 2010
• Harris, Craig (n.d.), Tom Dissevelt: Biography, Allmusic.com
• Hertelendy, Paul (2008), Spatial Sound's Longest Running One-Man Show, artssf.com, ginhipos tikang han orihinal han 7 Hulyo 2011, ginkuhà 3 Marso 2011
• Holmes, Thomas B (2002), Electronic and Experimental Music: Pioneers in Technology and Composition (Second ed.), London: Routledge Music/Songbooks, ISBN, (cloth) (pbk)
• Holmes, Thom (2008), Electronic and Experimental Music: Technology, Music, and Culture (third ed.), London and New York: Routledge, ISBN, (cloth); (pbk); ISBN 0-203-92959-4 (ebook).
• Johnson, Steven (2002), The New York Schools of Music and Visual Arts: John Cage, Morton Feldman, New York: Routledge, ISBN
• Krause, Manfred (2002), "AES Convention 112 (April)", The Legendary 'Magnetophon' of AEG, Audio Engineering Society E-Library., paper number 5605. Abstract.
• Kurtz, Michael (1992), Stockhausen: A Biography, translated by Richard Toop., London: Faber and Faber, ISBN
• Jenkins, Mark (2007), Analog Synthesizers: Understanding, Performing, Buying: From the Legacy of Moog to Software Synthesis, Amsterdam: Elsevier, ISBN.
• Lebrecht, Norman (1996), The Companion to 20th-Century Music, Da Capo Press., ISBN, (pbk)
• Loubet, Emmanuelle (1997), translated by Brigitte Robindoré and Curtis Roads, "The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s", Computer Music Journal, 21 (4): 11–22
• Loy, Gareth (1985), "About Audium—A Conversation with Stanley Shaff", Computer Music Journal, 9 (2 (Summer)): 41–48, doi:10.2307/3679656, ginhipos tikang han orihinal han 24 Hunyo 2017, ginkuhà 29 Enero 2015.
• Luening, Otto (1964), "Some Random Remarks About Electronic Music", Journal of Music Theory, 8 (1 (Spring)): 89–98, doi:10.2307/842974.
• Luening, Otto (1968), "An Unfinished History of Electronic Music", Music Educators Journal, 55 (3 (November)): 42–49, 135–42, 145, doi:10.2307/3392376.
• Maginnis, Tom (n.d.), [Musika elektronika ha AllMusic. Ginkuhà 30 Disyembre 2011. The Man Who Dies Every Day: Ultravox: Song Review], Allmusic.com. (archive at webcitation.org)
• Mattis, Olivia (2001), "Mathews, Max V(ernon)", The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrell, London: Macmillan.
• Montanaro, Larisa Katherine (2004), "A Singer's Guide to Performing Works for Voice and Electronics" (PDF), DMA thesis, Austin: The University of Texas at Austin, ginhipos tikang han orihinal (PDF) han 11 Septyembre 2008, ginkuhà 29 Enero 2015.
• Morawska-Büngeler, Marietta (1988), Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunk in Köln 1951–1986, Cologne-Rodenkirchen: P. J. Tonger Musikverlag.
• Norman, Katharine (2004), Sounding Art: Eight Literary Excursions through Electronic Music, Aldershot: Ashgate Publishing, Ltd, ISBN
• Orton, Richard; and Hugh Davies (n.d.), "Ondes martenot", Grove Music Online, Oxford Music Online (Subscription access), ginkuhà 2 Pebrero 2011.
• Ozab, David (2000), Beyond the Barline: One Down, Two to Go, ATPM (About This Particular Macintosh) website, ginkuhà 13 Enero 2010
• Peyser, Joan (1995), The Music of My Time, White Plains, N.Y.: Pro/AM Music Resources Inc.; London: Kahn and Averill, ISBN
• Rappaport, Scott (2007), "Digital Arts and New Media Grad Students Collaborate Musically across Three Time Zones", UC Santa Cruz Currents Online (2 April).
• Reid, Gordon (2004), "The History Of Roland Part 1: 1930–1978", Sound on Sound (November), ginkuhà 19 Hunyo 2011
• Rhea, Tom (1980), "The RCA Synthesizer & Its Synthesists", Contemporary Keyboard, GPI Publications, 6 (10 (October)), pp. 64ff, ginkuhà 5 Hunyo 2011
• Roads, Curtis (1996), The Computer Music Tutorial, Cambridge, MA: MIT Press, ISBN, (cloth) (pbk)
• Rosen, Jody (2008), "Researchers Play Tune Recorded before Edison", New York Times (27 March).
• Russ, Martin (2009), Sound Synthesis and Sampling (third ed.), Amsterdam and Boston: Elsevier; Oxford and Burlington: Focal, ISBN.
• Russcol, Herbert (1972), The Liberation of Sound: An Introduction to Electronic Music, Englewood Cliffs, New Jersey: Prentice-Hall.
• Russolo, Luigi (1913), "L'arte dei rumori: manifesto futurista", Manifesti del movimento futurista 14, Milano: Direzione del movimento futurista. English version as "The Art of Noise: Futurist Manifesto 1913", A Great Bear Pamphlet 18, translated by Robert Filliou, New York: Something Else PressCS1 maint: others (link). Second English version as "The Art of Noises", Monographs in Musicology no. 6, translated from the Italian with an introduction by Barclay Brown, New York: Pendragon Press, ISBNCS1 maint: others (link).
• Schutterhoef, Arie van (2007), Sogitec 4X, Knorretje, een Nederlandse Wiki over muziek, geluid, soft- en hardware., ginhipos tikang han orihinal han 18 Abril 2010, ginkuhà 13 Enero 2010
• Schwartz, Elliott (1975), Electronic Music, New York: Praeger.
• Snell, Karen Crocker (2006), "The Man Behind The Sound", Santa Clara Magazine, Santa Clara University (Summer), ginkuhà 13 Enero 2010
• Snyder, Jeff (n.d.), Pierre Schaeffer: Inventor of Musique Concrete, ginhipos tikang han orihinal han 15 Mayo 2008, ginkuhà Mayo 2002 .
• Sofer, Danny; and Doug Lynner (1977), "Pat Gleeson interview", Synapse: the Electronic Music Magazine, 1 (5 (January–February)): 21–24, 35.
• Stevenson, Joseph (2004), Tomita: Biography, Allmusic website
• Stockhausen, Karlheinz (1971), Texte zur Musik, 3, edited by Dieter Schnebel. DuMont Dokumente., Cologne: DuMont Buchverlag, ISBN
• Stockhausen, Karlheinz (1978), Texte zur Musik, 1970–1977, 4, edited by Christoph von Blumröder. DuMont Dokumente., Cologne: DuMont Buchverlag, ISBN
• Tal, Josef; and Shlomo Markel (2002), Musica Nova in the Third Millennium, Tel-Aviv: Israel Music Institute, ISBN. Also published in German, as Musica Nova im dritten Millenium, Tel-Aviv: Israel Music Institute., ISBN
• Tyson, Jeff (n.d.), "How Movie Sound Works", Entertainment.howstuffworks.com, ginkuhà 28 Marso 2010
• Ungeheuer, Elena (1992), Wie die elektronische Musik "erfunden" wurde...: Quellenstudie zu Werner Meyer-Epplers musikalischem Entwurf zwischen 1949 und 1953, Kölner Schriften zur neuen Musik 2., Mainz and New York: Schott, ISBN.
• Unterberger, R (2002), "Progressive rock", All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul, in V. Bogdanov, C. Woodstra and S. T. Erlewine, eds, (3rd ed.), Milwaukee, WI: Backbeat Books, ISBNCS1 maint: extra punctuation (link).
• Vercoe, Barry (2000), "Forward", The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming, edited by Richard Boulanger, Cambridge, Mass.: MIT Press, pp. xxvii–xxx, ISBN, ginhipos tikang han orihinal han 30 Enero 2010, ginkuhà 29 Enero 2015.
• Vine, Richard (15 Hunyo 2011), "Tadao Kikumoto Invents the Roland TB-303", The Guardian, London (14 June), ginkuhà 23 Disyembre 2011
• Watson, Scott (2005), "A Return to Modernism", Music Education Technology Magazine (February), ginhipos tikang han orihinal han 10 Enero 2008, ginkuhà 29 Enero 2015.
• Weidenaar, Reynold (1995), Magic Music from the Telharmonium: The Story of the First Music Synthesizer, Metuchen, NJ: Scarecrow Press, Inc., ISBN.
• Xenakis, Iannis (1992), Formalized Music: Thought and Mathematics in Composition, Harmonologia Series, No 6 (revised, expanded ed.), Stuyvesant, NY: Pendragon Press, ISBN
• Yabsley, Alex (2007), "Back to the 8 Bit: A Study of Electronic Music Counter-Culture", Gamemusic4all.com, ginkuhà 5 Hunyo 2011
• Zimmer, Dave (2000), Crosby, Stills and Nash: The Authorized Biography, Photography by Henry Diltz, New York: Da Capo Press., ISBN
• Zussman, John Unger (1982), "Jazzing It Up at the NCC: Hancock and Apple II Make Music Together", InfoWorld, 4 (26 (5 July)): 1, 5
• Cheam, Ivan (2013), Electronic Music Tracks Review, ginhipos tikang han orihinal han 6 Oktubre 2013, ginkuhà 29 Enero 2015

Padugang nga barasahon

• Bogdanov, Vladimir (2001), Chris Woodstra, Stephen Thomas Erlewine, and John Bush (ed.), The All Music Guide to Electronica: The Definitive Guide to Electronic Music, AMG Allmusic Series, San Francisco: Backbeat Books, ISBNCS1 maint: multiple names: editors list (link)
• Best of Electronic Music Podcasts/Eurock Live Ginhipos 29 Hunyo 2017 han Wayback Machine
• A. Patterson Light & Sound by Mikhail Chekalin, itunes.apple.com Best of Electronic Music
• Cummins, James (2008), Ambrosia: About a Culture—An Investigation of Electronica Music and Party Culture, Toronto, ON: Clark-Nova Books, ISBN
• Dorschel, Andreas, Gerhard Eckel, and Deniz Peters (eds.) (2012). Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity. Routledge Research in Music 2. London and New York: Routledge. ISBN 978-0-415-89080-9.
• Heifetz, Robin J., ed. (1989), On The Wires of Our Nerves: The Art of Electroacoustic Music, Cranbury, NJ: Associated University Presses, ISBN
• Kahn, Douglas (1999), Noise, Water, Meat: A History of Sound in the Arts, Cambridge, MA: MIT Press, ISBN, New edition 2001,CS1 maint: extra punctuation (link)
• Kettlewell, Ben (2001), Electronic Music Pioneers, [N.p.]: Course Technology, Inc., ISBN
• Licata, Thomas, ed. (2002), Electroacoustic Music: Analytical Perspectives, Westport, CT: Greenwood Press, ISBN
• Macan, Edward L (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford and New York: Oxford University Press, ISBN.
• Manning, Peter (2004), Electronic and Computer Music (Revised and expanded ed.), Oxford and New York: Oxford University Press, ISBN, (cloth) (pbk)
• Prendergast, Mark (2001), The Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age, Forward Batakan:Sic by Brian Eno., New York: Bloomsbury, ISBN, (hardcover eds.) ISBN 1-58234-323-3 (paper).
• Reynolds, Simon (1998), Energy Flash: A Journey Through Rave Music and Dance Culture, London: Pan Macmillan, ISBN (US title, Generation Ecstasy: Into the World of Techno and Rave Culture, Boston: Little, Brown, 1998 ISBN 0-316-74111-6; New York: Routledge, 1999 ISBN 0-415-92373-5CS1 maint: others (link))
• Schaefer, John (1987), New Sounds: A Listener's Guide to New Music, New York: Harper Collins, ISBN
• Shanken, Edward A. (2009), Art and Electronic Media, London: Phaidon, ISBN
• Shapiro, Peter, ed. (2000), Modulations: a History of Electronic Music: Throbbing Words on Sound, New York: Caipirinha Productions, ISBN
• Sicko, Dan (1999), Techno Rebels: The Renegades of Electronic Funk, New York: Billboard Books, ISBN
• Strange, Allen (1983), Electronic Music: Systems, Technics, and Controls, second ed.,: W.C. Brown Co. ISBN 0-697-03602-2
• Wells, Thomas (1981), The Technique of Electronic Music, New York: Schirmer Books; London: Collier Macmillan, ISBN

Mga sumpay ha gawas

• A timeline of electronic music Ginhipos 26 Hunyo 2010 han Wayback Machine
• A chronology of computer and electronic music Ginhipos 28 Pebrero 2017 han Wayback Machine
• '120 Years of Electronic Music' History of electronic musical instruments 1880 to present day
• Art of the States: electronic Ginhipos 18 Septyembre 2010 han Wayback Machine Small collection of electronic works by American composers
• CSIRAC Ginhipos 31 Enero 2011 han Wayback Machine The Computation Laboratory at the University of Melbourne's Dept of Computer Science and Software Engineering
• Electronic Music Foundation
• small EDM collection
• Computer Music Center
• Eurock (Webzine / Musicians & Producers Pioneers of Euro Electronic Space, Progressive, Experimental Music)