Musika elektronika

Telharmonium, Thaddeus Cahill 1897

Trautonium, 1928

An Musika elektronika amo an musika nga nagamit hin mga dekuryente nga gamit musika ngan dekuryente nga teknolohiya musika ha iya paghimo.

Mga reperensya

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• Griffiths, Paul (1995), Modern Music and After: Directions Since 1945, Oxford and New York: Oxford University Press, ISBN 0-19-816578-1, (cloth) (pbk)
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• Holmes, Thomas B (2002), Electronic and Experimental Music: Pioneers in Technology and Composition (Second ed.), London: Routledge Music/Songbooks, ISBN 0-415-93643-8, (cloth) (pbk)
• Holmes, Thom (2008), Electronic and Experimental Music: Technology, Music, and Culture (third ed.), London and New York: Routledge, ISBN 0-415-95781-8, (cloth); (pbk); ISBN 0-203-92959-4 (ebook).
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• Loubet, Emmanuelle (1997), translated by Brigitte Robindoré and Curtis Roads, "The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s", Computer Music Journal, 21 (4): 11–22
• Loy, Gareth (1985), "About Audium—A Conversation with Stanley Shaff", Computer Music Journal, 9 (2 (Summer)): 41–48, doi:10.2307/3679656, ginhipos tikang han orihinal han 2017-06-24, ginkuhà 2015-01-29.
• Luening, Otto (1964), "Some Random Remarks About Electronic Music", Journal of Music Theory, 8 (1 (Spring)): 89–98, doi:10.2307/842974.
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• Maginnis, Tom (n.d.), [Musika elektronika ha AllMusic. Ginkuhà 30 December 2011. The Man Who Dies Every Day: Ultravox: Song Review], Allmusic.com. (archive at webcitation.org)
• Mattis, Olivia (2001), "Mathews, Max V(ernon)", The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrell, London: Macmillan.
• Montanaro, Larisa Katherine (2004), "A Singer's Guide to Performing Works for Voice and Electronics" (PDF), DMA thesis, Austin: The University of Texas at Austin, ginhipos tikang han orihinal (PDF) han 2008-09-11, ginkuhà 2015-01-29.
• Morawska-Büngeler, Marietta (1988), Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunk in Köln 1951–1986, Cologne-Rodenkirchen: P. J. Tonger Musikverlag.
• Norman, Katharine (2004), Sounding Art: Eight Literary Excursions through Electronic Music, Aldershot: Ashgate Publishing, Ltd, ISBN 0-7546-0426-8
• Orton, Richard; and Hugh Davies (n.d.), "Ondes martenot", Grove Music Online, Oxford Music Online (Subscription access), ginkuhà February 2, 2011.
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• Peyser, Joan (1995), The Music of My Time, White Plains, N.Y.: Pro/AM Music Resources Inc.; London: Kahn and Averill, ISBN 9780912483993
• Rappaport, Scott (2007), "Digital Arts and New Media Grad Students Collaborate Musically across Three Time Zones", UC Santa Cruz Currents Online (2 April).
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• Rhea, Tom (1980), "The RCA Synthesizer & Its Synthesists", Contemporary Keyboard, GPI Publications, 6 (10 (October)), pp. 64ff, ginkuhà 2011-06-05
• Roads, Curtis (1996), The Computer Music Tutorial, Cambridge, MA: MIT Press, ISBN 0-262-18158-4, (cloth) (pbk)
• Rosen, Jody (2008), "Researchers Play Tune Recorded before Edison", New York Times (27 March).
• Russ, Martin (2009), Sound Synthesis and Sampling (third ed.), Amsterdam and Boston: Elsevier; Oxford and Burlington: Focal, ISBN 0-240-52105-6.
• Russcol, Herbert (1972), The Liberation of Sound: An Introduction to Electronic Music, Englewood Cliffs, New Jersey: Prentice-Hall.
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• Schwartz, Elliott (1975), Electronic Music, New York: Praeger.
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• Snyder, Jeff (n.d.), Pierre Schaeffer: Inventor of Musique Concrete, ginhipos tikang han orihinal han 2008-05-15, ginkuhà May 2002 .
• Sofer, Danny; and Doug Lynner (1977), "Pat Gleeson interview", Synapse: the Electronic Music Magazine, 1 (5 (January–February)): 21–24, 35.
• Stevenson, Joseph (2004), Tomita: Biography, Allmusic website
• Stockhausen, Karlheinz (1971), Texte zur Musik, 3, edited by Dieter Schnebel. DuMont Dokumente., Cologne: DuMont Buchverlag, ISBN 3-7701-0493-5
• Stockhausen, Karlheinz (1978), Texte zur Musik, 1970–1977, 4, edited by Christoph von Blumröder. DuMont Dokumente., Cologne: DuMont Buchverlag, ISBN 3-7701-1078-1
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• Vercoe, Barry (2000), "Forward", The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming, edited by Richard Boulanger, Cambridge, Mass.: MIT Press, pp. xxvii–xxx, ISBN 0-262-52261-6, ginhipos tikang han orihinal han 2010-01-30, ginkuhà 2015-01-29.
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• Xenakis, Iannis (1992), Formalized Music: Thought and Mathematics in Composition, Harmonologia Series, No 6 (revised, expanded ed.), Stuyvesant, NY: Pendragon Press, ISBN 978-1576470794
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Padugang nga barasahon

• Bogdanov, Vladimir (2001), Chris Woodstra, Stephen Thomas Erlewine, and John Bush (ed.), The All Music Guide to Electronica: The Definitive Guide to Electronic Music, AMG Allmusic Series, San Francisco: Backbeat Books, ISBN 0-87930-628-9CS1 maint: multiple names: editors list (link)
• Best of Electronic Music Podcasts/Eurock Live Archived 2017-06-29 at the Wayback Machine.
• A. Patterson Light & Sound by Mikhail Chekalin, itunes.apple.com Best of Electronic Music
• Cummins, James (2008), Ambrosia: About a Culture—An Investigation of Electronica Music and Party Culture, Toronto, ON: Clark-Nova Books, ISBN 978-0-9784892-1-2
• Dorschel, Andreas, Gerhard Eckel, and Deniz Peters (eds.) (2012). Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity. Routledge Research in Music 2. London and New York: Routledge. ISBN 978-0-415-89080-9.
• Heifetz, Robin J., ed. (1989), On The Wires of Our Nerves: The Art of Electroacoustic Music, Cranbury, NJ: Associated University Presses, ISBN 0-8387-5155-5
• Kahn, Douglas (1999), Noise, Water, Meat: A History of Sound in the Arts, Cambridge, MA: MIT Press, ISBN 0-262-11243-4, New edition 2001,CS1 maint: extra punctuation (link)
• Kettlewell, Ben (2001), Electronic Music Pioneers, [N.p.]: Course Technology, Inc., ISBN 1-931140-17-0
• Licata, Thomas, ed. (2002), Electroacoustic Music: Analytical Perspectives, Westport, CT: Greenwood Press, ISBN 0-313-31420-9
• Macan, Edward L (1997), Rocking the Classics: English Progressive Rock and the Counterculture, Oxford and New York: Oxford University Press, ISBN 0-19-509887-0.
• Manning, Peter (2004), Electronic and Computer Music (Revised and expanded ed.), Oxford and New York: Oxford University Press, ISBN 0-19-514484-8, (cloth) (pbk)
• Prendergast, Mark (2001), The Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age, Forward Batakan:Sic by Brian Eno., New York: Bloomsbury, ISBN 9780747542131, (hardcover eds.) ISBN 1-58234-323-3 (paper).
• Reynolds, Simon (1998), Energy Flash: A Journey Through Rave Music and Dance Culture, London: Pan Macmillan, ISBN 0-330-35056-0 (US title, Generation Ecstasy: Into the World of Techno and Rave Culture, Boston: Little, Brown, 1998 ISBN 0-316-74111-6; New York: Routledge, 1999 ISBN 0-415-92373-5CS1 maint: others (link))
• Schaefer, John (1987), New Sounds: A Listener's Guide to New Music, New York: Harper Collins, ISBN 0-06-097081-2
• Shanken, Edward A. (2009), Art and Electronic Media, London: Phaidon, ISBN 978-0-7148-4782-5
• Shapiro, Peter, ed. (2000), Modulations: a History of Electronic Music: Throbbing Words on Sound, New York: Caipirinha Productions, ISBN 1-891024-06-X
• Sicko, Dan (1999), Techno Rebels: The Renegades of Electronic Funk, New York: Billboard Books, ISBN 0-8230-8428-0
• Strange, Allen (1983), Electronic Music: Systems, Technics, and Controls, second ed.,: W.C. Brown Co. ISBN 0-697-03602-2
• Wells, Thomas (1981), The Technique of Electronic Music, New York: Schirmer Books; London: Collier Macmillan, ISBN 978-0-02-872830-8

Mga sumpay ha gawas

• A timeline of electronic music Archived 2010-06-26 at the Wayback Machine.
• A chronology of computer and electronic music Archived 2017-02-28 at the Wayback Machine.
• '120 Years of Electronic Music' History of electronic musical instruments 1880 to present day
• Art of the States: electronic Archived 2010-09-18 at the Wayback Machine. Small collection of electronic works by American composers
• CSIRAC Archived 2011-01-31 at the Wayback Machine. The Computation Laboratory at the University of Melbourne's Dept of Computer Science and Software Engineering
• Electronic Music Foundation
• small EDM collection
• Computer Music Center
• Eurock (Webzine / Musicians & Producers Pioneers of Euro Electronic Space, Progressive, Experimental Music)